Showing posts with label Wedding. Show all posts
Showing posts with label Wedding. Show all posts

Saturday, August 6, 2011

Question's for your wedding photographer.

We've recently noticed a lot of advice online in different Bride and Wedding forums on what new brides should be concerned with and the specific questions that they should ask any potential photographers that they may want to hire for their special day. While some of the questions we see are definitely important, some are not as big of a deal in the overall scheme of things, so we thought we'd kind of put together a response from the photographers side, and maybe it'll be helpful for you, even if Morristowne Photography isn't in your part of the world.

This is going to be a slightly longer than usual post, so grab a cup of coffee, settle in and please, leave some comments at the end with any other questions or opinions that could benefit all the brides, grooms and photographers out there who are trying to capture the most from they're special day.

1 : What kind of equipment do you use?

We're not so sure this is that big of a deal. What I mean is, what you really should be concerned with is the final product, not what is used to get to that final product. A great photographer could come to your venue with a $200.00 Kodak point and shoot and blow everyone else away, not because of the equipment, but because of their vision, their creativity, their angles, their knowing how light works, their computer editing skills after the shoot. All that the more expensive equipment does is make things easier, especially if you have problem venues with weird lighting. The “pro” equipment is generally better in low light, they can be adjusted quicker, they have better flashes, can be used with off-camera lighting, they take more frames per second...blah, blah, blah. What they don't do is give you an artists eye.

Actually, the real important question to ask about equipment : Do you have a back-up camera? A photographer has to expect his camera won't work someday and have some sort of back-up plan.

All that being said, we at Morristowne are gear heads and generally take 4 cameras and 6 different lenses to every wedding and are always buying new gadgets and products...all to make our jobs easier. They don't necessarily make us better photographers. Which brings us to what we think is the MOST IMPORTANT QUESTION...



2 : Can I see your portfolio and a sample of a full wedding shoot?

This really is what it's all about! The final product, the images that you are going to be left with the rest of your lives. Now, hopefully you have already seen your proposed photographers portfolio online, so you have a good feel for the stuff they like to do, the things they want to produce, and have gotten a good feel for their style. But always remember, the images in their portfolio are their hand-picked, best of all time photos. Out of the thousands and thousands of photos they have taken, these are the 10 or 20 that they think are their absolute best work. What does the other 100 or 200 or 800 photos from that wedding look like? That's really what you need to know.

Now, every photo from a wedding just can't look like it should be on the cover of Vogue, that's not what a wedding is. You have formal portraits, walking down the isle, candids of the audience, garter's flying through the air, dancing at the reception...on, and on, and on. Some of it is just documentation. But all the images should still be high quality, have the same feel of that particular photographer, with the occasional Vogueish moment sprinkled through out the whole ceremony. So don't be afraid to ask to see a sample wedding album or a sample CD of an entire wedding...just some way of knowing there just wasn't those two good shots you saw in their portfolio from that entire day's wedding.


3 : How many weddings have you shot?

This is relevant only in that you do want to know that they can reproduce a good wedding more than once...that they didn't just get lucky on that one wedding they shot for their sister. But honestly, it all goes back to question #2...if their style and quality blows you away, who cares if it's only their 3rd wedding? Sometimes “experienced” also means stuck-in-a-rut and inflexible. Sometimes “new” also means passionate and exciting.


4 : What is your photographic style...photojournalism, traditional, etc.?

Again, read #2. If you have looked at their photos and liked them, who cares what it's called. Labels mean nothing! Photography is about visual art, not spoken or written word. Choose your photographer on how his images make you feel, not by the flowery words that they or someone else uses to describe them.


5 : How will you and your assistants be dressed?

Obviously, you don't want your photographer at your wedding in hunter's orange shorts, a tank top just above the navel and pink flip flops. But the other thing to consider is a good photographer is not going to be standing around like a statue. They'll be laying on the ground, squatting here and there, crawling in the rafters, sweating, all the time with maybe 2 cameras strapped around their neck, extra batteries, memory cards, etc. If the goal is #2, the final product, don't get hung up too much on the photogs not being in a tux and/or a dress. Though you do want them to blend in as much as possible, your goal is for them to produce the kind of images you've seen in their portfolio...and they are not going to be in your pictures. On your 2nd wedding anniversary you won't even remember what they looked like (unless they were wearing the hunter's orange and tank top).

We personally try to wear dark browns and grays, nice, neat clothes but ones that we can comfortably lay down in the grass or sand or bugs with.


6 : Do you have insurance?

Very important question!!! If someone trips over a camera bag, a light, etc., you need to know that the photographer has insurance to cover any of those weird mishaps that could occur.


7 : May I have a list of references?

Very valid question to ask. Though not all clients want to be bothered frequently by phone calls asking how their wedding photographer was, most don't object to at least an email reply to a prospective bride. Your photographer should be able to give you at least 2 or 3 you could communicate with in some fashion.


8 : What do you think distinguishes you from other wedding photographers?

You can ask it, but whatever the reply is it is just words. Refer back to #2. If that doesn't tell you what distinguishes them, nothing will. We always tell people that since we both shoot, you get both a male and female perspective of your wedding day. But if we both stink, you're going to have two stinking perspectives of your special day. Let your prospective photographer's images do the talking.



9 : Can I have a CD of all of the unedited photos?

You can ask, but you're going to find very few photographers that would be comfortable doing this. A huge part of a photographer's style and look is based not just on what happens inside the camera, but also on the way they process their images. And hopefully you have chosen your photographer based on the way their photos look. (see #2)

We personally never give out unedited photos. Every image we let out of our studio has to look good enough that we are fine with anyone posting them anywhere, as is, and saying “Morristowne Photography” took this.


10 : Can I have a High Resolution CD so I can make my own prints?

Historically, especially when film was the only medium used, the photographer never gave out the negatives to their photos. You received a small set of proof prints, maybe 100 or so, and from these you chose which ones you wanted printed larger, and the photographer would make that happen for you...and you would pay the photographer for all of the prints purchased. Now that digital is the primary medium used, photographers are still trying to figure out the best way to handle it...because selling prints was/is a primary source of their revenue. Virtually everyone knows how to get their own prints now and don't think they need the middle-man photog getting more money out of them from selling prints. What's the answer?

The way we at Morristowne decided to deal with the situation is this...you, the client, are hiring us for our artistic eye, editing abilities, our professionalism with a camera. We are not printers. We are photographers and that's what you will be paying us for. We will give you all edited, agreed upon photos for you to print out on your own to your hearts desire. We give you a limited copyright release form stating you can print these images for any personal, noncommercial use that you see fit. We also at least give you one print from a company we use for all of our printing needs so that you can see what a good quality print should look like and suggest that you use a quality printing company.

You see, the other thing that most clients don't realize is how attached to the photos a good photographer becomes. Those photos represent them and their company...their sweat and blood. If the client prints the images on their home computer on standard white paper...the photo is going to look awful! Even photos we've seen from Walmart and Cord Camera have been less than desirable. The photographer hates seeing a bad representation of their work...seriously, it almost makes us sick!

So just keep in mind that all photographers handle this differently, and though money through print sales may be part of it, there are other factors that the photographers as artists have to weigh when giving their negatives/high rez images out. If the photographer doesn't give out their high rez images, no way, no how...I wouldn't consider it a deal breaker. Again, the goal is #2...them taking the kind of images you want. The other details can usually be worked out to your and they're satisfaction.


11 : A question to ask yourself...is there chemistry between you and the photographer?

This is a big one for us...right next to #2. If you don't feel like you are both on the same page, if it doesn't feel like you both have the same goals for the wedding day, the images captured will probably reflect that tension. This actually goes for both the photographer and the client. If either feels like things don't seem to click, for whatever reason, it's probably best to step away. Don't take it personally, it's all about giving the best possible product/experience to the paying customer. We don't want to take your money if we can't give you what you desire and you sure don't want to pay for something/someone you don't like.

There has only been one time where we didn't feel we were the right match for a client and suggested they try another photographer, and it actually turned out great for them. We recommended a friend of ours and it all ended as it should have, both parties happy with the final result.

There's probably been clients that didn't choose us because of this...that we just weren't the right fit for them and their day...and that's okay!

There have been a few times, though, where we were chosen by the bride's/groom's mother or by a wedding planner, and things just didn't feel quite as great as they could have. We still captured great images, but the bride and groom just weren't into it...pictures were more of an annoyance rather than a time to record a historic day in their life. It just felt like we were documentary photographers rather than a team working together to capture something special. Just doing the job. We hate just doing the job. We'll do it well if we have to, but isn't creating things together so much more fun!!

So a collaborative meeting between the photogs, bride & groom, mom & dad, wedding planner, etc. is in our opinion huge. You absolutely have to make sure that you all are going in with the same vision and goals or no one will be happy in the end.


In Conclusion

So this is just a few things that prospective clients and photogs may want to consider, but we know there are plenty more. Let us know what worries you or what questions you may have in the comments and we can keep adding to this post as time goes on.


Take care,


Jeffrey and Heather

Tuesday, September 21, 2010

Beautiful People, Beautiful Day

What happens when you have a 75 degree and sunny day, a cool farm with chickens and barns and cows and pitchforks, and throw into that environment a gorgeous couple saying I do? You get two wedding photographers smiling from ear to ear, that's EXACTLY what you get!

Daniel and Ashley were sooo fun to work with. We had met with them at Casa Cantina a few months ago, just before they were heading to Hawaii for work, to discuss the possibility of us shooting their wedding. Heather and I both immediately loved their bubbly personalities and kept hoping we would be the lucky ones chosen to photograph their special day. They weren't sure if coming back to Ohio made the most sense, where exactly the wedding should be...just a lot of things to work out logistically with moving AND getting married.

A few months later we got the email saying it WAS going to be here in Athens and, yes, we WERE going to be their photographers...and we went whoo hooo! Well, maybe not out loud but we were mighty excited on the inside ;) They had decided it would be at Daniel's family farm a couple miles outside of town...red barns, hay fields, ponds with fountains, apple trees...well, you get the picture, just about perfect!

Outside weddings are always nerve racking for photographers. What's best for the "feel" of the wedding (sunny skies with not a cloud in view) is not necessarily the best light for photos...and rain is even worse. I guess what we are always hoping for, and never have gotten yet, is a nice, cloudy day with no chance of rain and that beautiful soft light blanketing everything in sight for 8 hours straight. Our 2nd choice would be a bright sunny day. We got our second choice.

So we were going to be dealing with some squinting, some harsh shadows, and it being at 4:30 and in the middle of a field we would be fighting with certain angles looking directly into the sun. No problem, just part of the job.

It was an awesome day. The families...friendly and warm. Ashley and Daniel...breathtaking and handsome. Yep, we had to fight the sun and there were times that there was nothing you could do but take pictures with squinty eyes and splotchy patterns of light filtering through the trees on faces...but it all worked out. They were in love...they were happy...and our cameras as well as everyone else there was able to see it, capture it.

Thanks for choosing us Mr. and Mrs. Brown...

Jeffrey


Monday, July 12, 2010

Loving Shadows and Mood...

Sometimes there is just way too much concern over things being well lit.

Sometimes there is just way to much hoopla over smiles.

Sometimes Black and White is the ONLY correct choice.

IMHO

Maybe I'll think of some other stupid statements to add by the end of this blog that can totally be torn apart by other photogs, or possibly even me in a day or two, but for now, at this point in time, this is exactly how I'm feeling.

BTW - We're in the middle of our wedding season.

Shooting weddings is a very tiring, stressful job...but can also be extremely fun and exciting. Stressful because of the time frames and schedules and the 1-chance-to-get-the-1-shot-of-the-kiss, the cake-smashing-in-the-face, the garter-flying-through-the-air, etc., etc., etc., but fun and exciting because of the joy and laughter and happy tears that you get to see and experience over and over, reminiscing each time about your very own wedding and all the crazy emotions that you felt. Terror and Excitement all rolled into one.

So back to the well lit, shadows, B/W rant part of the blog. Weddings are a combo of all that's boring, exciting and interesting about photography. The formals are the boring, though very, very important part. They need to be well lit, smiling faces with light in their eyes. Yeah, you can do all sorts of jumping and running and face making group shots but you STILL have to have some of the all-standing-in-a-line-saying-cheese pics. The ones that the bride and groom gives to grandma and that stays on the wall or the dresser until the end of time.

The important but boring ones.

But invariably, the ones that the bride and groom usually choose as their favs are the ones that we also think are the coolest...the ones that are showing the true feelings...the chance looks, the real emotions, the shadows, the mood. What's truly amazing is that even if you set-up a shot with certain poses or in a certain venue, if you give it a little time, those true emotions and looks and feelings start coming out on their own...because they really ARE in love, they can't help it. Tell them to quit smiling and saying cheese and put them close together and BAM, there is twitterpation (to quote The Wise Old Owl from Bambi) in the air and it, wow, photographs extremely well!

The same is true with the bride and her bridesmaids and with the groom and his groomsman. They all like/love each other...they KNOW how to be crazy friends with each other, and if you just give them enough time, they'll forget you're there and give you the right photo ops completely on their own.

This last wedding with Luke and Mellisa was a prime example. When we first met a few months ago, Luke had said he really liked the whole gang of guys, "Brat Pack" type of vibe...the group of friends just hanging out in tuxes and looking cool in Black and White type of photos. So I decided that we should just meet uptown Athens at the courthouse with his 6 other guys...and just walk. Wander around town for 30 minutes or so. Just let them be friends and do what friends do.



The top shot and this one are from that little bit of time together. Them being them. True emotions with real faces, real shadows, and real mood.

Just the way I like it.

Jeffrey

Monday, October 12, 2009

Keeping your options and eyes open...


The more weddings we do, we're finding the added experience we gain can be kind of a double-edged sword...you are more comfortable and confident with the things that can and will come up but you also could very easily slide into a routine of Morristowne "Standard" photos.

You know what I mean, angles and ideas and lighting that worked last time so let's just use them again so we don't have to think too awfully hard this time! Death too creativity!

Honestly, though I'm sure we will borrow from themes we've used before, I really can't see us getting into that kind of rut too deeply...it is just too much fun when the creative juices are flowing and you and your models/couples are firing on all cylinders, pulling off images that you really couldn't have completely planned out even if you had set down and had drawn them all up. Way cool fun!

Take the photo above with Katrina and James. An image like this just can't be over thought! Yes, we knew a jail was nearby the church...yes, I went and asked the sheriff if he cared if we brought in a bridal party the next day if we found the time...but we had no idea if Kat and Jim would like the idea, no idea if we would even have enough time to stop in, no idea what it would look like and what we would do once we had them in there.

The day of the wedding, we suggested the jail and they both said, "Cool", and Heather and I said, "Way Cool", and we ended up with some of the funnest, unique images we've ever taken. Once in the jailhouse, they were throwing out poses, we were shouting out ideas, and in less than a 1/2 hour we were walking out with silly grins on our faces knowing we had just made some wonderful memories that will be passed down from generation to generation in the Brightly/Self families if we're all lucky. All because Heather saw the jail, I went and talked to the sheriff, and we brought up a weird, screwball idea to a jittery bride and nervous groom who immediately embraced the idea and became wonderful, amazing actors.

Way Cool!

Jeffrey

Monday, September 14, 2009

Another learning experience...

Our latest shoot was a wedding for Leslie and Daniel on the Valley Gem sternwheeler out of Marietta, OH. When Leslie had first asked if we could take photos of her upcoming wedding for her, we were pumped. I mean really pumped! How often do you get to cruise the Ohio river on anything, let alone a sternwheeler? The opportunities for awesome shots was going to be practically limitless...just carry the camera around and it could almost capture amazingness all on it's own without any human intervention!

Yeah, right!

First off, Leslie, Daniel and their entire families were just wonderful to work with. So upbeat and more than willing to do anything we wanted to do to get memorable photos. Just a great group of people. So as far as models go it was a home run!

Next up was it was just about a perfect day...high 70's and sunny. Beautiful blue skies and the river was just gorgeous...another home run!

We arrived a little early and went aboard the Valley Gem and started scouting it out a little, and though we did decide there were only 2 - 3 nice spots to take the formal portraits, we still didn't anticipate any problems...until all the people started to arrive! Oh dear...

Imagine two mobile homes stacked on top of each other. Two mobile homes about 24 feet by 60 feet. Now imagine 150 people ALL on either the top deck or ALL on the bottom deck...never divided between the two. Can you say crowded? Now don't get me wrong, it wasn't like people were sardines. Everyone had a seat and everyone was comfy, but as photographers Heather and I are used to moving around a bit, finding the right angle...different perspectives...mixing it up. Not here. One spot for each of us and that's where you stayed. We were able to get all the important stuff you're suppose to...but we had to work for it!

Moral of the story : Never think the lenses and angles you usually use will work for your next wedding. This was the first time our 70-200mm was actually a liability to have...just not enough room. At least we have an excuse for buying another new lens(that 50mm f/1.4 may be calling our name)!

Thanks for the Capt. of the Valley Gem for letting us in his lair for the above shot. What an absolutely great group of people to work with!

Jeffrey

Friday, July 10, 2009

Growing and Learning Pains

Wow, what a busy few months it's been...trying to get our home studio in working order, kids getting out of school, practicing and working with new lighting techniques and ideas. Lots to catch up on and share!

One of the best highlights to start back into the blog with was a great wedding we had the privilege to shoot for Laura and Jonathan down at Ravenwood Castle. What a wonderful family to get to hang around with, let alone to get paid to shoot a wedding for. They made us feel just like one of the family and made our whole experience with them truly wonderful!!!

Photographically speaking there were a few challenges that we had to work out. The entire wedding was outdoors, in and out of the woods, which threw in all kinds of dappled, splotchy light. Couple that with it being a partly cloudy day that literally changed the lighting every 2 minutes and it had the makings of being a pretty rough shoot. These are situations where I just thank goodness Nikon has the Auto ISO ability. When you have light levels changing by the minute, you just don't have the time to manually set everything for every shot. Heather and I decided pretty quickly that Auto ISO and Aperture Priority was the way we were going to go...when dad is walking the bride down the isle through clouds and sun and leaves and trees you just don't have the time to adjust your camera every 5 feet they walk. All and all it turned out perfectly, though my D200 handled the metering sooooo much more accurately than Heather's D80. Before the next wedding we may upgrade her D80 to a D90 to gain that and a little better High ISO ability.

The photo at the top was all Heather's. We walked by that spot earlier in the day and she right away ran to that location and said, "We're bringing them right here!" - LOL Good call honey...

Jeffrey